Les Paul Icon Celebrates the Les Paul 100th Anniversary as UMe Releases His Greatest Hits, Both Instrumental and Featuring Vocals by Mary Ford, out nowMay 20, 2015 by Les Paul Foundation
Les Paul Icon Celebrates the Les Paul 100th Anniversary as UMe Releases His Greatest Hits, Both Instrumental and Featuring Vocals by Mary Ford, out now
Eleven-track collection includes material from Capitol and Decca years, while all-instrumental
The New Sound, The New Sound Vol. 2, Bye Bye Blues, and The Hit Makers all available digitally now
Hawaiian Paradise and Galloping Guitars EPs make iTunes debuts as separate releases, June 9
Huge Star-Studded Celebration Kicks Off in Times Square and Will Launch A Year of Exciting Programs and Events in Honor of Les Paul
Los Angeles, CA – May 20, 2015 – June 9 marks the actual 100th birthday of Les Paul, creator of the electric solid body guitar, multi-track recording and numerous other innovations used by musicians every day. And in celebration, Universal Music Enterprises has released Les Paul Icon, an 11-track selection of greatest hits culled from his Capitol and Decca years, featuring vocals by then-wife Mary Ford.
Additionally, four of Les Paul’s most monumental albums, The New Sound, The New Sound Vol. 2, Bye Bye Blues, and The Hit Makers are available digitally now and two of the instrumental Decca EPs from his heyday, 1949’s Hawaiian Paradise and 1952’s Galloping Guitars, will be released digitally on iTunes for the first time as separate titles on June 9, what would have been his 100th birthday.
Born Lester William Polsfuss in Waukesha, Wisconsin, on June 9, 1915, Paul started playing harmonica at the age of eight before learning the piano and then switching to guitar. An innovator from the beginning, Paul invented the neck-worn harmonica holder that enabled him to accompany himself on guitar at the same time. He then experimented by wiring a photograph needle to the acoustic instrument, connecting it to a radio speaker to amplify his sound. While still in his teens, Paul created the first solid-body electric guitar with a two-foot piece of rail from a train line. He eventually built his most famous instrument in 1940, the Gibson Les Paul, dubbed “The Log”—from a chunk of 4×4 pine with strings and a pick-up—after hours at an Epiphone factory. Later on, he revolutionized the art of making records by introducing multi-track, sound-on-sound recording techniques still used to this day, including tape delay and phasing effects.
Paul met a country singer named Iris Colleen Summers in 1945, and the two began working together three years later after she adopted the stage name of Mary Ford, marrying in 1949. During the seminal years of their recording career as a duet for Capitol Records starting in the early 1950s, Paul and Ford incorporated his sound-on-sound recording techniques, masterful guitar playing and her vocal styling and released four, landmark albums that contained their interpretations of songs that were destined to become standards and, in large part, classics of the Great American Songbook—with a balance of instrumental performances and with Mary singing upfront.
Among their first hits are classics like the No. 1 1951 record “How High the Moon” (inducted into the Grammy Hall of Fame), the No. 2 “The World Is Waiting for the Sunrise,” the Top 10 “I’m Sitting on Top of the World” and the chart-topping “Vaya Con Dios” (also in the Grammy Hall of Fame), the latter was the theme song to the pair’s popular TV show. These songs all featured Ford harmonizing with herself (thanks to Paul’s multi-tracking innovation), utilizing “close miking” techniques over her husband’s multiple guitars. Those pop hits, as well as instrumental tracks that spotlighted Paul’s “galloping” solo guitar work, such as “Guitar Boogie,” “Brazil,” “Caravan,” “Blue Skies” and “Begin the Beguine,” are highlighted on Les Paul Icon.
The jazz, country and blues guitarist, songwriter, luthier and inventor was inducted into the Rock and Roll Hall of Fame as an “architect” in 1988 by Jeff Beck, who said, “I’ve copied more licks from Les Paul than I’d like to admit.” He is one of only a few artists with a permanent, stand-alone exhibit at the Cleveland landmark, and the only person included in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame. His innovative playing style included such now-standard techniques as licks, trills, chording sequences and timing which have revolutionized the instrument.
The Les Paul 100th Anniversary includes a star-studded musical launch event in New York, a national PSA campaign giving youth a chance to “Pledge to Invent,” a tribute concert in New York City, a new interactive website, new merchandise, educational grants, media promotions and the kick-off of a national tour aptly called “Les Paul’s Big Sound Experience.”
Anderson Cooper of CNN said that “It is literally true that what is now known as modern American music would not be what it is today without Les Paul.”
“The man is a genius. Whenever you turn on your amplifier, that’s Les Paul,” BB King once said.
Les Paul Icon
- Guitar Boogie
- How High the Moon (Les Paul and Mary Ford)
- The World Is Waiting for the Sunrise (Les Paul and Mary Ford)
- Lover (When You’re Near Me)
- Tiger Rag (Les Paul and Mary Ford)
- Blue Skies
- Begin the Beguine
- Vaya Con Dios (Les Paul and Mary Ford)
- I’m Sitting on Top of the World (Les Paul and Mary Ford)
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Keren Poznansky, Universal Music Enterprises: (310) 865 7797 email@example.com
Caroline Galloway, M2M PR, (440) 591-3807 firstname.lastname@example.org